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For the soundtrack, see Stop Making Sense (album).
Stop Making Sense
15th Anniversery Re-Release poster
Directed by
Jonathan Demme
Produced by
Gary GoetzmanGary Kurfirst
Written by
Talking HeadsJonathan Demme
Starring
Talking Heads
Music by
Talking Heads
Cinematography
Jordan Cronenweth
Distributed by
Palm Pictures
Release date(s)
April 24, 1984
Running time
88 minutes
Country
USA
Language
English
Budget
$1,200,000 USD
Stop Making Sense (1984) is a highly acclaimed concert movie featuring Talking Heads live on stage. Directed by Jonathan Demme, it was shot over three nights in December 1983, as the group was touring to promote their new album Speaking in Tongues. The movie is notable for being the first made entirely utilizing digital audio techniques. The band raised the budget of $1.2 million themselves. The title comes from a repeated phrase in the song Girlfriend is Better. The film is hailed by many as being "one of the greatest rock movies ever made (Leonard Maltin)", and that is not an unjust comment; Stop Making Sense is extremely well-directed and it puts a spin on some of Talking Heads' greatest songs that one could not get from a studio recording of the songs.
Contents
1 The movie
2 Innovations
3 Set lists
3.1 Set 1
3.2 Set 2
3.3 Bonus Songs (Available only on DVD)
4 Reviews and cultural influence
5 Soundtrack
6 References
7 External links
//
The movie
The movie begins with the opening credits, using a style similar to Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (the movie trailer also makes references to Dr. Strangelove). Title designer Pablo Ferro was responsible for both title sequences.
Lead singer David Byrne walks on to a bare stage (seen from the feet only initially) with a portable cassette tape player and an acoustic guitar. He introduces "Psycho Killer" by saying he wants to play a cassette tape, presumably from the boom box. In reality, the tick-tock drum machine was a Roland TR-808 played from the mixing board. During the song, the drum machine "fires" machine gun riffs that causes Byrne to stagger "like Jean Paul Belmondo in the final minutes of 'Breathless,' a hero succumbing, surprised, to violence that he'd thought he was prepared for."
With each successive song, Byrne is cumulatively joined onstage by each core member of the band: first by Tina Weymouth for "Heaven", second by Chris Frantz for "Thank You for Sending Me an Angel", and third by Jerry Harrison for "Found a Job". Performance equipment is gradually wheeled out and wired up to the bare stage between and throughout the performances, as Talking Heads continue to be augmented by several additional musicians, most of whom had extensive experience in funk: back-up singers Edna Holt and Lynn Mabry (a.k.a. The Brides of Funkenstein), keyboardist Bernie Worrell (formerly of Parliament-Funkadelic), percussionist Steve Scales, and guitarist Alex Weir (of The Brothers Johnson). The first song to feature the entire lineup is "Burning Down The House", although the original 1985 RCA/Columbia Home Video release (which featured three additional songs in two performances edited into the film) has the entire band (minus Worrell) performing "Cities" before this song. Byrne also leaves the stage at one point, to allow the Weymouthrantz-led side-band the Tom Tom Club to perform their song "Genius of Love" (The 1999 re-release of the film featured alternate 'rap' lines by Chris Frantz to remove the cocaine reference, "snow white", featured in the original release).
The movie is also notable for Byrne's "big suit", an absurdly oversized business suit he dons late in the concert for the song "Girlfriend is Better" (which gave the movie its title from one of its lyrics). The suit was partly inspired by Noh theatre styles, and became an icon not only of the film as it appears on the DVD cover, for instance but of Byrne himself. Pauline Kael stated in her review: "When he comes on wearing a boxlike 'big suit' his body lost inside this form that sticks out around him like the costumes in Noh plays, or like Beuys' large suit of felt that hangs of a wall it's a perfect psychological fit."
This concert film is widely regarded as one of the finest examples of the genre. Leonard Maltin rated the film four stars out of four, describing it as "brilliantly conceived, shot, edited and performed" and "one of the greatest rock movies ever made." Roger Ebert gave the film a three-and-a-half star rating, writing that "the overwelming [sic] impression throughout Stop Making Sense is of enormous energy, of life being lived at a joyous high...It's a live show with elements of Metropolis...But the film's peak moments come...(and so on)

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