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In environmental chemistry, the chemical oxygen demand (COD) test is commonly used to indirectly measure the amount of organic compounds in water. Most applications of COD determine the amount of organic pollutants found in surface water (e.g. lakes and rivers), making COD a useful measure of water quality. It is expressed in milligrams per liter (mg/L), which indicates the mass of oxygen consumed per liter of solution. Older references may express the units as parts per million (ppm).
Contents
1 Overview
2 History
3 Using potassium dichromate
3.1 Blanks
3.2 Measurement of excess
4 Preparation Ferroin Indicator reagent
4.1 Calculations
5 Inorganic interference
6 Government regulation
7 See also
8 References
9 External links
//
Overview
The basis for the COD test is that nearly all organic compounds can be fully oxidized to carbon dioxide with a strong oxidizing agent under acidic conditions. The amount of oxygen required to oxidize an organic compound to carbon dioxide, ammonia, and water is given by:

This expression does not include the oxygen demand caused by the oxidation of ammonia into nitrate. The process of ammonia being converted into nitrate is referred to as nitrification. The following is the correct equation for the oxidation of ammonia into nitrate.

The second equation should be applied after the first one to include oxidation due to nitrification if the oxygen demand from nitrification must be known. Dichromate does not oxidize ammonia into nitrate, so this nitrification can be safely ignored in the standard chemical oxygen demand test.
The International Organization for Standardization describes a standard method for measuring chemical oxygen demand in ISO 6060 .
History
For many years, the strong oxidizing agent potassium permanganate (KMnO4) was used for measuring chemical oxygen demand. Measurements were called oxygen consumed from permanganate, rather than the oxygen demand of organic substances. Potassium permanaganate's effectiveness at oxidizing organic compounds varied widely, and in many cases biochemical oxygen demand (BOD) measurements were often much greater than results from COD measurements. This indicated that potassium permanganate was not able to effectively oxidize all organic compounds in water, rendering it a relatively poor oxidizing agent for determining COD.
Since then, other oxidizing agents such as ceric sulfate, potassium iodate, and potassium dichromate have been used to determine COD. Of these, potassium dichromate (K2Cr2O7) has been shown to be the most effective: it is relatively cheap, easy to purify, and is able to nearly completely oxidize almost all organic compounds.
In these methods, a fixed volume with a known excess amount of the oxidant is added to a sample of the solution being analyzed. After a refluxing digestion step, the initial concentration of organic substances in the sample is calculated from a titrimetric or spectrophotometric determination of the oxidant still remaining in the sample.
Using potassium dichromate
Potassium dichromate is a strong oxidizing agent under acidic conditions. (Acidity is usually achieved by the addition of sulfuric acid.) The reaction of potassium dichromate with organic compounds is given by:

where d = 2n/3 + a/6 - b/3 - c/2. Most commonly, a 0.25 N solution of potassium dichromate is used for COD determination, although for samples with COD below 50 mg/L, a lower concentration of potassium dichromate is preferred.
In the process of oxidizing the organic substances found in the water sample, potassium dichromate is reduced (since in all redox reactions, one reagent is oxidized and the other is reduced), forming Cr3+. The amount of Cr3+ is determined after oxidization is complete, and is used as an indirect measure of the organic contents of the water sample.
Blanks
Because COD measures the oxygen demand of organic compounds in a sample of water, it is important that no outside organic material be accidentally added to the sample to be measured. To control for this, a so-called blank sample is required in the determination of COD (and BOD, for that matter). A blank sample is created by adding all reagents (e.g. acid and oxidizing agent) to a volume of distilled water. COD is measured for both the water and blank samples, and the two are compared. The oxygen demand in the blank sample is subtracted from the COD for the original sample to ensure a true measurement of organic matter.
Measurement of excess
For all organic matter to be completely oxidized, an excess amount of potassium dichromate (or any oxidizing agent) must be present. Once oxidation is complete, the amount of excess potassium dichromate must be measured to ensure that the amount of Cr3+ can be determined with accuracy....(and so on)

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(Redirected from Shake 'N' Bake)
Not to be confused with Steak 'n' Shake.
Shake 'n Bake is a brand owned by Kraft Foods. It is a flavored coating for chicken (and sometimes pork) which is applied by placing chicken pieces in a bag containing the coating, closing the bag, and shaking. The coated chicken is then baked in a medium oven until done. Shake 'n Bake is designed to mimic bread crumbs or flour, key ingredients in the preparation of fried chicken. Instead of frying the chicken after coating it with Shake 'n Bake pieces, the chicken is then baked to further mimic the taste of fried chicken while enjoying a healthier alternative. First introduced in 1965 by General Foods, it is currently marketed under the Kraft brand.
Shake 'n Bake's Original Pork flavor includes as ingredients enriched wheat flour (wheat flour, niacin, iron, thiamin mononitrate [Vitamin B1], riboflavin [Vitamin B2], folic acid), salt, partially hydrogenated soybean and cottonseed Oil, sugar, contains less than 2% of paprika, dextrose, dried onions, spice, caramel color, yeast, annatto (color), and natural flavor. Its Barbecue Glaze flavor includes sugar, maltodextrin, salt, modified food starch, spice, partially hydrogenated soybean and cottonseed oil, brown sugar, mustard flour, dried onions, dried tomatoes, dried garlic, beet powder (color), citric acid, natural flavor, caramel color, vinegar, and sodium silicoaluminate as an anticaking agent.
In Popular Culture
Shake 'n Bake is particularly noted for its iconic television commercials in the 1980s and 1990s starring such child actors as Carly Schroeder, Taylor Momsen, and Philip Amelio. In the ads, the aforementioned children help make Shake 'n Bake with their mothers, enthusiastically exclaiming "And I helped!" This would later be parodied on the Family Guy episode To Love and Die in Dixie.
Shake 'n Bake was also featured prominently in the movie Talladega Nights: The Ballad of Ricky Bobby as the catchphrase of the lead characters.
"Shake 'n Bake" is also a modern nickname for a 1950s era snow coach running on caterpillar tracks, that was once used to ferry sightseers to the Athabasca Glacier, in Alberta, Canada. The nickname is derived from the food brand and refers to the vehicle's lack of suspension and the fact that its passenger compartment tended to become uncomfortably hot.
"Shake 'n Bake" is also a slang term used among medical professionals and cancer patients, referring to the anti-fungal drug amphotericin, which causes chills and a high fever.
"Shake 'n' Bake" is also basketball vernacular for a kind of play where an offensive player escapes the guard of a defensive player and subsequently manages to score, particularly if the player scores in an emphatic manner.
"Shake 'n' Bake" is also military slang for high explosive and white phosphorus artillery rounds.
The colony on LV-426 in the sci-fi movie "Aliens" is referred to by Van Leuwen as follows: "It's what we call a Shake'n Bake colony"
References
External links
Kraft Foods
Categories: Kraft brands
Hidden categories: Articles lacking sources from March 2008 | All articles lacking sources(and so on)

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A pergola in the walled garden at Hillsborough Park, Sheffield
A walled garden is a garden enclosed by high walls for horticultural rather than security purposes. These walls may also serve a decorative or security purpose, but their essential function in the north temperate zone has been to shelter the garden from wind and frost.
The shelter of walling can raise the ambient temperature within the garden by several degrees, creating a microclimate that permits plants to be grown that would not survive in the unmodified local climate. Most walls were constructed from stone, but lining walls with brick, which absorbs and retains solar heat, raised the temperature against that wall, allowing peaches, nectarines and grapes to be grown as espaliers against south-facing walls as far north as southeast Great Britain and southern Ireland.

A typical walled garden where the stone acts as a slow-release reradiator of solar energy.
The traditional design of a walled garden, split into four quarters separated by paths, and a wellhead or pool at the centre, dates back to the very earliest gardens of Persia. The hortus conclusus or "enclosed garden" of High Medieval Europe was more typically enclosed by hedges or fencing, or the arcades of a cloister; though some protection from weather and effective protection from straying animals was afforded, these were not specifically walled gardens.

Movable blocks to control the movement of hot air in a heated wall.
British examples of elaborate walled gardens include Shugborough (England), Bodysgallen Hall (Wales), Alnwick Castle (England), Luton Hoo (England), Myres Castle (Scotland) and Muchalls Castle (Scotland). In the United Kingdom, many country houses also had walled kitchen gardens, distinct from the decorative gardens. They received their greatest elaboration in the second half of the 19th century. Many of these labour-intensive gardens fell into disuse in the 20th century, but others have been revived to house primarily decorative gardens, some of which also produce fruit, vegetables and flowers for cutting.
Croxteth Hall in Liverpool (England) has a walled garden that has openings on the inside, where fires are lit to heat the wall further where fruit is growing against it; there are also chimneys or flues to allow a throughflow of air and to provide a means of escape for the smoke.
Contents
1 In literature
2 See also
3 References
3.1 Notes
3.2 Bibliography
3.3 External links
//
In literature

Psyche Opening the Door to Cupid's Garden, by John William Waterhouse
In the story of Susanna and the Elders, a walled garden is the scene of both an alleged tryst and an attempted rape. Because of the walls, the community is unable to determine which actually occurred.
In John William Waterhouse's interpretation of the myth of Cupid and Psyche, Psyche lived in Cupid's walled garden.
Much of the storyline of Frances Hodgson Burnett's children's story The Secret Garden revolves around a walled garden which has been locked for ten years.
Rappaccini's Daughter, a short story by Nathaniel Hawthorne, takes place almost entirely within the confines of a walled garden in which Beatrice, the lovely daughter of a mad scientist, lives alongside gorgeous but lethal flowers.
See also
Drystone wall
References
Notes
^ Susan Campbell, A History of Kitchen Gardening; Jennifer Davies, The Victorian Garden (1987, based on a BBC series)
Bibliography
External links
Categories: Types of garden(and so on)

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Veldwezelt-Hezerwater is a Palaeolithic archaeological site in Belgium.
Contents
1 Context
2 Oldest phases
3 Lower sites
3.1 Small Tool Assemblages and Flint Quarrying Activities at Veldwezelt-Hezerwater
4 VBLB site
5 TL and WFL sites
6 Conclusions
7 References
8 See also
9 External links
//
Context
The successive archaeological excavation campaigns at Veldwezelt-Hezerwater, Belgium, provide important remains of at least five separate Middle Palaeolithic valley settlements, showing[citation needed] that Middle Palaeolithic humans were living and producing their tools at different times during the Late Saalian (late MIS 6), the late Last Interglacial s.l. (MIS 5a) and the Middle Weichselian (MIS 3).
Oldest phases
The oldest occupation phases present at Veldwezelt-Hezerwater should be seen in relation to the Late Saalian rock-fall deposits. Just at the base of these rock-fall deposits, two non-Levallois flakes were found. The younger level (where a large flint core-chopping tool was found) is situated just at the top of the same rock-fall deposits.
Lower sites
At the "Lower Sites", the lithic assemblage at the base of the gravel-bed (GRA-Level 1) of a side-valley of the Hezerwater seems to have been influenced by recurrent Levallois debitage. Throughout the gravel-bed one sees the presence of non-Levallois flake industries (GRA-Level 2). The younger occupation phases at the "Lower-Sites", found in the VLL-VLB find horizons are characterised by non-Levallois flake and blade industries.
All the levels at the "Lower-Sites" at Veldwezelt-Hezerwater could be interpreted as Neanderthal surface flint extraction sites with the presence of several knapping workshops. It is still difficult to say something about the absolute chronology of the VLL-Site and the VLB-Site. However, on stratigraphic grounds, we think that it is safe to say that they should be dated to the Late Saalian Zeifen Interstadial (MIS 6.01). This hypothesis is supported by the presence of charcoal (Pinus silvestris), which suggests that the climate during this Pre-Eemian occupation stage was temperate.
The chronological and typological setting of the tools, as well as the elongated morphology of the blanks and the surface quarrying by the Neanderthals, affirm the original character of the "Lower-Sites".
Small Tool Assemblages and Flint Quarrying Activities at Veldwezelt-Hezerwater
The lithic assemblages, which were excavated at the VLL and VLB loci at Veldwezelt-Hezerwater, mainly included low-quality local raw materials. On the other hand, it cannot be ruled out that some tools, which were made from a variety of lithic raw materials, were imported from other flint sources. Imported raw materials that are present in lithic assemblages are usually interpreted as an indication of the past movements of hunter-gatherer groups (Binford 1979). Against the backdrop of yearly variations in seasonal weather conditions and against the backdrop of long-term climate and environmental changes, sporadic territory shift would inevitably bring Middle Palaeolithic groups into "new" and potentially "hostile" environments repeatedly. However, since Middle Palaeolithic people were primarily focussing on big game exploitation (e.g., Bocherens et al. 1999, 2001), they knew how to minimise the risks. These people of course needed technologies that were adapted to the typical way of life of late Middle and Late Pleistocene hunting-oriented groups. This would imply that all their "tools" and raw material supplies would have to be transportable and usable in the new environments.
According to Binford (1979), lithic raw material procurement and core and tool reduction are usually conducted during the course of other subsistence tasks (e.g., game searching & processing of animals). Indeed, Binford (1979) claimed that certain "logistical" activities were "embedded" in other even more vital activities. At the VLL and VLB sites at Veldwezelt-Hezerwater, where the campsites were present at a lithic raw material source, flint quarrying, core and tool reduction and hafting activities may also have been embedded in vital carcass-processing activities. Indeed, during the "Middle" Palaeolithic, "survival security" was usually improved by repeatedly moving the entire group to "fresh" resource areas. Retooling activities near a lithic source would thus occur only if animals were killed at or near a lithic quarry. Such a kill would enable extended exploitation of a lithic source, since certain others members of the group hunters would be processing the animals. Otherwise, only a quick stop at the lithic quarry to obtain suitable raw materials would be possible. We believe that a visit to the VLL and VLB quarrying sites would lead to an immediate replacement of small, heavily reduced or broken tools. This would explain the...(and so on)

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It has been suggested that Relativistic aberration be merged into this article or section. (Discuss)
The aberration of light (also referred to as astronomical aberration or stellar aberration) is an astronomical phenomenon which produces an apparent motion of celestial objects about their real locations. It was discovered and later explained by the third Astronomer Royal, James Bradley, in 1725, who attributed it to the finite speed of light and the motion of Earth in its orbit around the Sun.
At the instant of any observation of an object, the apparent position of the object is displaced from its true position by an amount which depends solely upon the transverse component of the velocity of the observer, with respect to the vector of the incoming beam of light (i.e., the line actually taken by the light on its path to the observer). The result is a tilting of the direction of the incoming light which is independent of the distance between object and observer.
In the case of an observer on Earth, the direction of a star's velocity varies during the year as Earth revolves around the Sun (or strictly speaking, the barycenter of the solar system), and this in turn causes the apparent position of the star to vary. This particular effect is known as annual aberration or stellar aberration, because it causes the apparent position of a star to vary periodically over the course of a year. The maximum amount of the aberrational displacement of a star is approximately 20 arcseconds in right ascension or declination. Although this is a relatively small value, it was well within the observational capability of the instruments available in the early eighteenth century.
Aberration should not be confused with stellar parallax, although it was an initially fruitless search for parallax that first led to its discovery. Parallax is caused by a change in the position of the observer looking at a relatively nearby object, as measured against more distant objects, and is therefore dependent upon the distance between the observer and the object.
In contrast, stellar aberration is independent of the distance of a celestial object from the observer, and depends only on the observer's instantaneous transverse velocity with respect to the incoming light beam, at the moment of observation. The light beam from a distant object cannot itself have any transverse velocity component, or it could not (by definition) be seen by the observer, since it would miss the observer. Thus, any transverse velocity of the emitting source plays no part in aberration. Another way to state this is that the emitting object may have a transverse velocity with respect to the observer, but any light beam emitted from it which reaches the observer, cannot, for it must have been previously emitted in such a direction that its transverse component has been "corrected" for. Such a beam must come "straight" to the observer along a line which connects the observer with the position of the object when it emitted the light.
Aberration should also be distinguished from light-time correction, which is due to the motion of the observed object, like a planet, through space during the time taken by its light to reach an observer on Earth. Light-time correction depends upon the velocity and distance of the emitting object during the time it takes for its light to travel to Earth. Light-time correction does not depend on the motion of the Eartht only depends on Earth's position at the instant when the light is observed. Aberration is usually larger than a planet's light-time correction except when the planet is near quadrature (90 from the Sun), where aberration drops to zero because then the Earth is directly approaching or receding from the planet. At opposition to or conjunction with the Sun, aberration is 20.5" while light-time correction varies from 4" for Mercury to 0.37" for Neptune (the Sun's light-time correction is less than 0.03").
Contents
1 Explanation
1.1 Apparent and true positions
1.2 Moving in the rain
1.3 Relative frame of reference
2 Types of aberration
2.1 Annual aberration
2.1.1 The special case of solar annual aberration
2.2 Planetary aberration
2.3 Diurnal aberration
2.4 Secular aberration
3 Historical background
3.1 Search for stellar parallax
3.2 Bradley's observations
3.3 Aberration vs nutation
3.4 Development of the theory of aberration
4 References
5 See also
6 External links
//
Explanation
It has been stated above that aberration causes a displacement of the apparent position of an object from its true position. However, it is important to understand the precise technical definition of these terms.
Apparent and true positions

Figure 1. Diagram illustrating stellar aberration
The apparent position of a star or other very...(and so on)

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Pioneer Junior College??????
Motto
While I Live, I Learn
Established
1999
Type
Government, Single-session
Principal
Tan-Kek Kee Yong (Mrs.)
MOE Code
0711
Colours
Red, White, Black
Locale
Choa Chu Kang, Singapore
Enrollment
900 (J1), 900 (J2)
Coordinates
123?05?N 10345?16?E? / ?1.384675 103.75452? / 1.384675; 103.75452Coordinates: 123?05?N 10345?16?E? / ?1.384675 103.75452? / 1.384675; 103.75452
Website
schools.moe.edu.sg/pjc
Ministry of Education
Republic of Singapore
Pioneer Junior College (PJC) is a junior college in Singapore, offering a two-year course for pre-university students leading up to the GCE 'A' Level examinations.
PJC was established on 1 December 1999 under the leadership of the first Principal, Mr Kwek Hiok Chuang. The college initially functioned from the campus of the former French-German Institute of Singapore, situated next to the Singapore Science Centre, before it moved to the current permanent campus at 21 Teck Whye Walk in December 2002.
62 teachers and executive and administrative staff, together with 750 students were the first batch of Pioneers (Pioneer Pioneers). Students were involved in the formation of college rules and design of college crest and uniform. It was the first college to allow two sets of uniform designs for both boys and girls. It was also the first college to allow girls to wear dress pants as part of the uniform. The College vision and mission statements were formally endorsed by the stakeholders, ie the College Advisory Committee, the parents, the staff and students on 31 Aug 2000. In the subsequent year, the college anthem and flag were formally adopted by the college community on 8 Aug 2001.
PJC is the first Junior College to launch its own Satellite Ground Receiving Station on 25 Feb 2002. The Inaugural College Day was held on 26 Apr 2002 to award deserving pioneers who have contributed in one way or another to the college. The Guest-of-Honour was the Chairman of the College Advisory Committee, Prof Phua Kok Khoo.
The College was relocated to its present location, 21 Teck Whye Walk on 19 Dec 2002, and was officially opened by Mr Tharman Shanmugaratnam, Acting Minister of Education, on 20 Feb 2004.
In Dec 2005, Mrs Tan-Kek Lee Yong became the College second principal.
The college was named "Pioneer" in the hope of nurturing students who would be "explorers of new knowledge". The college motto is "While I live, I learn". The motto is intended to encapsulate the following qualities:
Perseverance in lifelong learning
Willingness to look at existing knowledge from new perspectives
Courage to venture into unknown territories to explore new boundaries of knowledge.
Contents
1 CCA
2 CCA Achievements
3 College song
4 Key Information
4.1 Getting There
5 External links
//
CCA
PJC has teams in hockey, canoeing, basketball, tennis, rugby, touch rugby, badminton, volleyball, archery, ten-pin bowling and taekwondo. Besides, there are performing arts groups such as Choir, Chinese Orchestra, Symphonic Band, Modern Dance Club, English Drama Society and student-initiated activities such as Cheerleading, Cue Sports and the Debate Society.
CCA Achievements
1st Runner-Up National Inter-School Golf Championship 2007 (Girls)2nd Runner-Up(3rd) National Inter-School Canoeing Championship 2007 (Girls)Top 8 National Inter-School Badminton Championship 2007 (Girls)Top 8 National Inter-School Netball Championship 2007Top 8 National Inter-School Basketball Championship 2007 (Boys)2nd position for Sorsilambam 2007(National Tamil Debates)
College song
College Anthem
Here I stand
The dawning of a brand new day
As I look to the way ahead
In my heart burns the fire of learning
And it shines everywhere I go
Never fading and ever yearning
While I live, I learn and grow.
I will seek and explore
Open each and every door
Always caring and faithful and true
To be a guiding light
Set the future shining bright
For my college and for nation too
I am a true pioneer
Crossing every new frontier
With conviction I take every turn
This passion I will hold
So that every one may know
I believe: While I live, I learn.
Here we stand
Together on this special day
Pioneers who will lead the way
All our hearts share the spirit of exploring
In our lives we will always show
How wee set our sights on soaring
While we live, we learn and grow.
And wel seek and explore
Open each and every door
Always caring and faithful and true
To be a guiding light
Set the future shining bright
For our college and for nation too
Yes, we are...(and so on)

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SEAT Ibiza
Manufacturer
SEAT
Parent company
Volkswagen Group
Production
1984resent
Predecessor
SEAT Fura
Successor
None
Class
Supermini
Layout
FF layout
Platform
Volkswagen Group A0
The SEAT Ibiza is a supermini manufactured by the Volkswagen Group and sold under the SEAT marque. The Ibiza spans four generations and is still in production. It has been available in either three- or five-door hatchback variants; since 1993, saloon, coup and estate versions are sold as the SEAT Cdoba.
Contents
1 First generation (021A, 1985-1993)
2 Second generation (6K, 1993-2002)
2.1 Second generation facelift (6K, 1996-1999)
2.2 Second generation facelift (6K GP01, 1999-2002)
3 Third generation (6L, 2002-2008)
4 Fourth generation (6J, 2008-)
5 Specifications
6 See also
7 References
8 External links
//
First generation (021A, 1985-1993)
SEAT Ibiza - first generation
Production
19841993
Body style(s)
3 and 5-door hatchback
Platform
Volkswagen Group A02
Engine(s)
0.9L I41.2L I41.5L I41.7L I41.7L I4 Diesel
Related
SEAT RondaSEAT MagaFiat RitmoNanjing Yuejin Soyat
Designer
Giorgetto Giugiaro
The Ibiza Mk1 (codenamed 021A) was based on the SEAT Ronda, in turn derived from the Fiat Ritmo, with a powertrain which had been developed in collaboration with Porsche. This was the first SEAT which did not share any external body panels with any Fiat model, having been designed by Giorgetto Giugiaro. This version, while it established the now classic Ibiza shape, was advertised as having "Italian styling and German engines".
It was known for having a rather quirky interior instrument layout, marked by a lack of control stalks. The indicators were operated by a rocker-switch and the headlights by a sliding switch.
In terms of size, it was larger than most superminis like the Ford Fiesta and Fiat Uno, but smaller than any small family car such as the Ford Escort and Volkswagen Golf. Styling was fairly imaginative and interior space was good, but the Ibiza was let down by suspect build quality, heavy steering and doubtful reliability.
SEAT also produced a saloon model based on the same platform, the SEAT Maga.
In the UK, sales couldn't hope to compete with Ford, Vauxhall and Rover (or even imported brands like Volkswagen and Fiat), but the car sold well among buyers who were more interested in budget buys from the likes of Hyundai and ?koda. The Ibiza's moderate sales success gave the marque a decent platform to build on as it looked to increase sales throughout the 1990s.
In 1999 the design was bought by Chinese automaker Nanjing and was redeveloped into the Nanjing Yuejin Soyat.
Second generation (6K, 1993-2002)
SEAT Ibiza - Second Generation
Production
19931999 (MK2)1999-2002 (Facelift)
Body style(s)
3 and 5-door hatchback5-door estate
Platform
Volkswagen Group A03
Engine(s)
1.0L I41.3L I41.4L I4 + 16V1.6L I41.8L I4 + 16V1.8L I4 Turbocharged2.0L I4 + 16V1.9L I4 Diesel1.9L I4 SDI1.9L I4 Turbodiesel1.9L I4 TDI
Related
SEAT CdobaSEAT IncaVolkswagen Polo Mk3Volkswagen Caddy
Designer
Giorgetto Giugiaro
This model (internal type number 6K) was based on VW's A03 platform also used by the Typ 6N Polo (Mk3). Available in three and five-door models, the saloon/coupe variant was known as the Cdoba and the estate was known as the Cdoba Vario.
Second generation facelift (6K, 1996-1999)
The Ibiza had a small facelift in 1996 which included changing the general aesthetics of the car by adding smoother bumpers and changing the grill and headlight setup. Other than changing the appearance of the car the running gear changed through the addition of the 2.0 16v engine and the demise of the 1.8 16v engine, both engines previously in the Volkswagen Golf Mk3.
Second generation facelift (6K GP01, 1999-2002)
The 1999 Ibiza Mk2 facelift (typ number 6K2 or 6K GP01; sometimes referred to in the UK as the "Mk3") was the second Ibiza to be produced under Volkswagen Group management and used the underpinnings of the revised Polo Mk3. It suffered a little from brand identity issues on release. Originally seen as a cheap VW, the launch of the Cupra models and rallying success gave it a much stronger sporty image, which aligned with Volkswagen Group's acquisition of ?koda Auto as a budget brand.
The Ibiza's 1.0, 1.4, 1.6 and 1.8-litre petrol and 1.9-litre TDI and SDI Diesel engines were the same as the Polo's. The Ibiza's running gear was also used in the SEAT Cdoba saloon, estate and coup.
Under Volkswagen's ownership, Seat was marketed as a sporty and youthful brand whose cars were sold at competitive prices. The original Ibiza's...(and so on)

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Primal Rage
Developer(s)
Atari Games
Publisher(s)
Atari Games
Platform(s)
Arcade
Release date(s)
1994
Genre(s)
2D Versus fighting
Mode(s)
2 players, playing simultaneously
Rating(s)
ESRB: Teen
Input methods
Joystick, 4 buttons
Cabinet
Upright
Arcade system
Atari GT System
CPU
Motorola 68EC020 (@ 25 MHz)
Sound
TI TMS32031 (@ 33 MHz)(4x) DMA-driven DAC
Display
Raster resolution 336x240 (Horizontal) Many Colors
Primal Rage is a versus fighting game developed and published by Atari Games in 1994 as an arcade video game. Toys, comics, and other merchandise tie-ins were also produced.
Contents
1 Storyline
2 Gameplay
3 Characters
3.1 The Virtuous Beasts
3.2 The Destructive Beasts
4 Homage
5 Controversy
6 Sequels
6.1 Primal Rage 2
6.2 Primal Rage: The Avatars
7 Ports
8 References
9 External links
//
Storyline
In Primal Rage, a meteor strike has devastated the earth; civilization has been utterly reduced to rubble and humans have regressed into tribes of Stone Age dwellers. Into this new radiation-scarred world, primitively referred to as "Urth", primordial rainforest has covered the land and numerous new species have evolved.
Out of their ranks emerge seven creatures who wage war for control over the new world; they are torn between those who wish to keep peace on Urth, and those who attempt to plunge the world into further chaos for personal gain. These creatures have otherworldly or supernatural abilities and each is said to represent a different aspect of nature i.e. life and death, fire and ice; and they are considered to be a "god" of their respective sphere. There are four "Virtuous Gods" and three "Destructive Gods" (although these terms are presumably relative, since the character Sauron is counted as "good" despite being described as "constantly hungry" and a destructive tyrant).
Gameplay
Primal Rage is a traditional two-dimensional fighting game in which two players select characters to battle each other in one-on-one combat or a single player finishes a campaign of fights against the CPU over increasing difficulty. The final battle of the single player game consisted of fighting all the other CPU monsters with an increased power bar made available to you in a mini-game prior to the fight. A total of seven characters are available for players to select from (as listed below). Each character has his or her own specialized set of attack moves and abilities. In the game, the object is to deplete the opposing character's health meter as fast as possible.
While fighting, human tribesman will move in the background and worship their gods during battle. This allows for the creatures to toss them around or devour some to regain strength (eating your opponent's worshipers grants more health than eating your own). Prior to the final battle a mini game commences in which you are required to eat as many worshipers as possible to increase your health for the endurance round. An easter egg of human volleyball could be triggered by keeping worshipers off the ground batting them back and forth between you and your adversary.
Unlike most fighting games, where "special moves" are performed by moving the joystick, followed by pressing one or more buttons, Primal Rage features a system where the player holds down certain buttons, then performs the joystick movements. Later revisions of the arcade game added the ability to perform "special moves" the more traditional way of motion followed by button presses, but kept the original method as well. After the opponent is defeated, a brief moment is allowed for the player to perform a fatality that finishes the adversary in a more dramatic fashion, these were performed in a similar manner to the special moves. Some were more Easter Eggs than fatalities, such as Chaos's 'Churl'.
Characters
The Virtuous Beasts
Armadon: A ceratopsian dinosaur, and the God of Life, Armadon is a Virtuous Beast and fights to defend Urth and prevent its destruction. His genetic makeup appears to be part Chasmosaurus and Ankylosaurus. The tail tip is a combination of the Ankylosaurus tail club and a Stegosaurus thagomizer. Armadon has the easiest combos.
Blizzard: Blizzard is one of two ape-beasts, the God of Good. He was frozen in a glacier for millennia and was released by the meteor. He lived high up in the mountain and descended to the ground when threatened. A noble and heroic yeti-like beast, Blizzard wishes to undo the damage caused to Urth by both the meteor and the warring gods. Many of his abilities focus around the manipulation of ice and cold. Blizzard is the leader of the Virtuous Beasts, and his animal power, age-old wisdom and freezing projectile...(and so on)

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Various antique to modern Black dolls from the collection of Debbie Garrett
Black dolls are dark-skinned inanimate representations of dark-skinned people. Representations--both stereotypical and accurate--fashioned into playthings, date back centuries. More accurate, mass produced depictions are today's playthings and adult collectibles.
Some mediums used to create black dolls include cloth, papier-mach, paper, china, wood, bisque, composition, hard plastic, vinyl, resin, porcelain, silicone, and polymer clay. Cloth rag dolls made by American slaves served as playthings for slave children. Early mass-produced black dolls typically were dark versions of their white counterparts.
Several 19th century European doll companies preceded American doll companies in the manufacture of black dolls. These predecessors include Carl Bergner of Germany, who made a three-faced doll with one face a crying black child and the other two, happier white faces. In 1892, Jumeau (see Jumeau Dolls) of Paris advertised black and mulatto dolls with bisque heads. Gebruder Heubach of Germany made character faces in bisque. Other European doll makers include Bru Jne. & Cie of Paris, Steiner, Danel, Soci Fran?aise de Fabrication de B et Jouets (S.F.B.J.), and Kestner of Germany. American companies began including black dolls in their doll lines in the early 1900s. Black dolls were extremely popular. Between 1910 and 1930, Horsman, Vogue, and Madame Alexander included black dolls in their doll lines. Gradually other American companies followed suit.
Beatrice Wright Brewington, an African American entrepreneur, founded B. Wright's Toy Company, Inc. and mass produced black dolls with ethnically-correct features. Also an educator, Ms. Wright began instructing girls in the art of making dolls in 1955.
During the 1960s and in the aftermath of the Watts riots in Los Angeles, California, Shindana Toys, a Division of Operation Bootstrap, Inc., is credited as the first major doll company to mass produce ethnically-correct black dolls. Their "dolls made by a dream" with realistic African facial features remain popular amongst black-doll collectors.
Other popular collectible black dolls include manufactured play dolls from prior years, manufactured dolls designed for collectors by companies such as Madame Alexander and Tonner Dolls, artist dolls, OOAK (one-of-a-kind) dolls, portrait dolls and those representing historical figures, reborn dolls, and even paper dolls.
Doll reference books that focus on black-doll identification and values are great resources for individuals seeking in-depth information on antique, vintage, and modern black dolls. Some past and current black-doll books include:
Collectible Black Dolls by John Axe, Hobby House Press, 1978Collector's Encyclopedia of Black Dolls by Patikii Gibbs, Collector Books, 1987Black Dolls an Identification and Value Guide 1820-1991 by Myla Perkins, Collector Books, 1991Black Dolls an Identification and Value Guide Book II by Myla Perkins, Collector Books, 1995The Definitive Guide to Collecting Black Dolls by Debbie Behan Garrett, Hobby House Press, 2003Black Dolls Proud, Bold & Beautiful by Nayda Rondon, Reverie Press, 2004Collectible African American Dolls Identification and Values by Yvonne Ellis, Collector Books, 2008Black Dolls: A Comprehensive Guide to Celebrating Collecting and Experiencing the Passion by Debbie Behan Garrett, 2008
References
Black Dolls an Identification and Value Guide 1820-1991 by Myla Perkins
The Definitive Guide to Collecting Black Dolls by Debbie Behan Garrett
External links
Wikimedia Commons has media related to: Black Dolls
Black Doll Collecting.com
Philadelphia Doll Museum
See also
African American culture
Collectable
Doll
Golliwogg
Hobby
OOAK
Categories: Dolls | African American culture | Play | Race
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Macau

Basic Law
Chief Executive
Edmund Ho
Executive Council of Macau
Government of Macau
Legislative Assembly
Political parties
Elections: 2005, 2009
Other countries AtlasPoliticsportal
view?talk?edit
Politics of Macau takes place in a framework of a political system dominated by the People's Republic of China, an own legislature, the Chief Executive as the head of government, and of a multi-party system. Executive power is exercised by the government.
Contents
1 Macau as part of the People's Republic of China
2 Executive branch
3 Legislative branch
4 Political parties and elections
5 Judiciary
6 Political pressure groups and leaders
7 Foreign Affairs
8 International organization participation
9 See also
10 References
//
Macau as part of the People's Republic of China
In accordance with Article 31 of the Constitution of the People's Republic of China, Macau has Special Administrative Region status, which provides constitutional guarantees for implementing the policy of "one country, two systems" and the constitutional basis for enacting the Basic Law of the Macau Special Administrative Region. Although geographically part of Guangdong Province, the Macau Special Administrative Region is directly under the authority of the central government of the People's Republic of China in Beijing, which controls the foreign affairs and defense of Macau but otherwise grants the region "a high degree of authority." The Basic Law took force upon handover of sovereignty from Portugal on December 20, 1999, and is to remain in effect for fifty years (that is, until 2049).
Macau's seven deputies to the National People's Congress (NPC) are selected by an electoral conference; they attended their first session of the NPC in Beijing in March 2000. Previously, in December 1999, the NPC Standing Committee approved the membership of the NPC Committee for the Basic Law of the Macau Special Administrative Region, chaired by NPC Vice Chairman Qiao Xiaoyang, for a five-year term. Half of the ten members are from Macau, the others from mainland China. Macau also has representation on the National Committee of the Chinese People's Political Consultative Conference.

The headquarters of Macau Government
Executive branch
Main article: Chief Executive of Macau
Main office holders
Office
Name
Party
Since
President of the PRC
Hu Jintao
Communist Party of China
March 2003
Chief Executive
Edmund Ho Hau-wah
20 December 1999
The Chief Executive of Macau is appointed by the People's Republic of China's central government after selection by an election committee, whose members are nominated by corporate bodies. The chief executive appears before a cabinet, the Executive Council, of between 7 and 11 members. The term of office of the chief executive is 5 years, and no individual may serve for more than two consecutive terms. The governor has strong policymaking and executive powers similar to those of a president. These powers are, however, limited from above by the central government in Beijing, to whom the governor reports directly, and from below (to a more limited extent) by the legislature.
In May 1999, Edmund Ho, a community leader and banker, is the first PRC-appointed chief executive of the Macau SAR, having replaced General de Rocha Viera on 20 December 1999. He was elected by the 200-member Chief Executive Selection Committee. Ho, born in Macau in 1955, was the first Chinese person to govern the region since the 1550s. Prior to 20 December 1999, Ho nominated major officials in the new government and carried out other transfer tasks. The executive branch of the Macau government has the following cabinet departments, each headed by a secretary: Administration and Justice, Economic and Financial Affairs, Security, Social Affairs and Culture, and Transport and Public Works. There also are two commissions, Against Corruption and Audit, and a chief public prosecutor. Upon Macau's reversion to China, the executive offices were moved from Macau Government House temporarily to the Banco Tai Fung.

The Legislative Assembly of Macau
Legislative branch
The legislative organ of the territory is the Legislative Assembly, a 29-member body comprising twelve directly elected members, ten indirectly elected members representing functional constituencies and seven members appointed by the chief executive. The Legislative Assembly is responsible for general lawmaking, including taxation, the passing of the budget and socioeconomic legislation. Terms are for four years, with annual sessions running from 15 October to 16 August. There are several standing committees in the assembly that perform the following functions: examination and...(and so on)

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Dymkovo toys, also known as the Vyatka toys or Kirov toys (?????????? ???????, ??????? ???????, ????????? ??????? in Russian) are moulded painted clay figures of people and animals (sometimes in the form of a pennywhistle). It is one of the old Russian folk art handicrafts, which still exists in a village of Dymkovo near Kirov (former Vyatka). Traditionally, the Dymkovo toys are made by women.
The tradition of making pennywhistles in the form of a horse, a horserider, and a bird goes back to the ancient magic ritual images and has to do with the agricultural calendar holidays. Later on, little figures lost their magic meaning and turned into toys for children, the making of which would become an artistic handicraft. Up until the 20th century, this toy production had been timed to the spring fair called ?????????, or whistler (first recorded mentioning took place in 1811). In the late 19th century, this handicraft fell into decline because the Dymkovo toys had been forced out of the market by the factory-made moulded plaster statuettes, which imitated porcelain articles. During the Soviet times, the Dymkovo handicraft was revived. In 1933, they organized an artel called ??????? ??????? (The Vyatka Toy), which would turn into a workshop of the Artistic Fund of the RSFSR (?????????????? ???? ?????). These days, the Dymkovo toys are known as a popular Russian souvenir.
The Dymkovo toys are moulded from a mixture of local potter's clay and river sand. The parts of a toy are then fastened together with watery clay. After the toys are dried and tempered in a furnace, they are whitewashed with chalk diluted in milk, then painted with tempera (before 1953, the artists used aniline paints ground with eggs) in 4 to 10 (or more) colors, and decorated with gold leafs.
Modern Dymkovo toys include ancient motifs, as well as those of the second half of the 19th century, such as ?????? (barynyas, or landladies), ?????? (nyanki, or nannies), ????????? (vodonoski, or female watercarriers) and others. In the 1930s, the Dymkovo toys began to depict fairy tales and contemporary lifestyle. There were also multi-character compositions on stands, figures of people taller than 30 cm and others. Massive, abstract, and somewhat grotesque forms of the Dymkovo toys are emphasized by ruffles, puffed collars, and other features. Improvised bright painting of the toys represents a geometric ornament of circles, checks, and dots of different colors and sizes.
Categories: Russian culture | Arts and crafts
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Basic schematic of the Ostwald ripening process
Ostwald ripening is an observed phenomenon in solid (or liquid) solutions which describes the evolution of an inhomogenous structure over time. The phenomenon was first described by Wilhelm Ostwald in 1896. When a phase precipitates out of a solid, energetic factors will cause large precipitates to grow, drawing material from the smaller precipitates, which shrink.
Contents
1 Causes
2 Specific Examples
3 References
4 External links
5 See also
//
Causes
This thermodynamically-driven spontaneous process occurs because larger particles are more energetically favored than smaller particles. This stems from the fact that molecules on the surface of a particle are energetically less stable than the ones already well ordered and packed in the interior. Large particles, with their lower surface to volume ratio, results in a lower energy state (and have a lower surface energy). As the system tries to lower its overall energy, molecules on the surface of a small (energetically unfavorable) particle will tend to diffuse through solution and add to the surface of larger particle. Therefore, the number of smaller particles continue to shrink, while larger particles continue to grow in size.
Ostwald ripening is also observed in liquid-liquid systems. For example, in an oil-in-water emulsion polymerization, Ostwald ripening causes the diffusion of monomers from smaller to larger droplets due to greater solubility of the single monomer molecules in the larger monomer droplets. The rate of this diffusion process is linked to the solubility of the monomer in the continuous (water) phase of the emulsion. This can lead to the destabilization of emulsions (for example, by creaming and sedimentation).
Specific Examples

Oil droplets in pastis mixed with water grow by Ostwald ripening.
An everyday example of Ostwald ripening is the re-crystallization of water within ice cream which gives old ice cream a gritty, crunchy texture. Larger ice crystals grow at the expense of smaller ones within the ice cream, thereby creating a coarser texture.
Another gastronomical example is in the ouzo effect, where the droplets in the cloudy microemulsion grow by Ostwald ripening.
In geology, it is the textural coarsening, aging or growth of phenocrysts and crystals in solid rock which is below the solidus temperature. It is often ascribed as a process in the formation of orthoclase megacrysts, as an alternative to the physical processes governing crystal growth from nucleation and growth rate thermochemical limitations.
In chemistry, the term refers to the growth of larger crystals from those of smaller size which have a higher solubility than the larger ones. In the process, many small crystals formed initially slowly disappear, except for a few that grow larger, at the expense of the small crystals. The smaller crystals act as fuel for the growth of bigger crystals. The process of Ostwald ripening is fundamental in modern technology for the solution synthesis of quantum dots. Ostwald ripening is also the key process in the digestion of precipitates, an important step in gravimetric analysis. The digested precipitate is generally purer, and easier to wash and filter.
References
^ W. Ostwald. 1896. Lehrbuch der Allgemeinen Chemie, vol. 2, part 1. Leipzig, Germany.
^ a b Ratke, Lorenz; Voorhees, Peter W. (2002). Growth and Coarsening: Ostwald Ripening in Material Processing. Springer. pp.117118. ISBN 3540425632. http://books.google.com/books?id=baKRnEuSBXkC&dq=ostwald+ripening&printsec=frontcover&source=web&ots=kBeZYYJtTO&sig=ITeiJwNfKgXfQ7WzyiVR3YnMOx4#PPA117,M1. Retrieved on 2007-11-15.
^ Hubbard, Arthur T. (2004). Encyclopedia of Surface and Colloid Science. CRC Press. p.4230. ISBN 0824707591. http://books.google.com/books?id=vnb2X7Q8_cYC&pg=PA4230&lpg=PA4230&dq=ostwald+ripening+emulsion+polymerization&source=web&ots=Pwjci68pqU&sig=_Ws7wWR3kL9l6m2MhkGDEPxGEQU#PPA4233,M1. Retrieved on 2007-11-13.
^ Branen, Alfred Larry (2002). Food Additives. CRC Press. p.724. ISBN 0824793439. http://books.google.com/books?id=K8urEPJvXNsC&pg=PA724&lpg=PA724&dq=ostwald+ripening+destabilization+emulsion&source=web&ots=WptjvsGQg5&sig=UJ96Ub7-bCooDjz5mf3VlmEBxso. Retrieved on 2007-11-15.
^ Clark, Chris (2004). The Science of Ice Cream. Royal Society of Chemistry. pp.7879. ISBN 0854046291. http://books.google.com/books?id=bKZ1oICZWywC&pg=PA78&lpg=PA78&dq=ice+cream+ostwald&source=web&ots=BNJ4t933oU&sig=L-dzlKaov8KcJl-yyQVrbHnSK3w#PPA80,M1. Retrieved on 2007-11-13.
^ Mock, A. (2003). "Using Quantitative Textural Analysis to Understand the Emplacement of Shallow-Level Rhyolitic Laccoliths Case Study from the Halle Volcanic Complex, Germany". Journal of...(and so on)

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Sheet pans or baking trays (British English) are flat, rectangular metal pans used in an oven. They are primarily used for baking of flat products such as cookies, sheet cakes and jelly roll cakes.
These pans, like all bakeware, can be made of a variety of materials, but are primarily aluminum or stainless steel. The most basic sheet pan is literally a sheet of that material. Common additional features that may be found in sheet pans include:
A lip on one or more edges to prevent food from sliding off.
Handles to aid in placing the pan into the oven, and removing it again.
An insulated bottom designed to protect delicate food from burning.
Professional sheet pans used in commercial kitchens typically are made of aluminum, with a (1", 2,5 cm) raised lip around the edge, and come in standard sizes. The full-size sheet pan is 26 by 18 inches. A half sheet is 18 by 13 inches. Quarter sheets are 13 by 9 inches. The half sheet is approximately the same size as mass-market baking sheets found in supermarkets. Other commercial kitchen equipment, such as cooling racks, ovens, and shelving, is made to fit these standard pans.
Many bakers prefer not to bake directly on a sheet pan. They use parchment paper as a liner. The Silpat is a flexible silicone material used as a reusable liner.
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Cockatiel
Male
Female
Conservation status
Least Concern(IUCN 3.1)
Scientific classification
Kingdom:
Animalia
Phylum:
Chordata
Class:
Aves
Order:
Psittaciformes
Family:
Cacatuidae
Subfamily:
Calyptorhynchinae
Genus:
NymphicusWagler, 1832
Species:
N. hollandicus
Binomial name
Nymphicus hollandicus(Kerr, 1792)
Cockatiel range (in red; all-year resident)
Synonyms
Psittacus hollandicus Kerr,1792Leptolophus hollandicus
The Cockatiel (Nymphicus hollandicus), also known as the Quarrion and the Weiro, is the smallest and genuinely miniature cockatoo endemic to Australia. They are prized as a household pet throughout the world and are relatively easy to breed. As a caged bird Cockatiels are second only in popularity to the Budgerigar.
The only member of the genus Nymphicus, the Cockatiel has previously been considered a crested parrot or small cockatoo. However, more recent molecular studies have settled the debate. These indicate that the Cockatiel belongs in the Cockatoo Subfamily Calyptorhynchinae (commonly known as Dark Cockatoos). They are hence now classified as the smallest of the Cacatuidae (Cockatoo family). Cockatiels are natively found across the outback regions of inland Australia, and favour the Australian wetlands, scrublands, and bush lands.
Contents
1 Taxonomy
2 Portrayal
3 Distribution and habitat
4 Lifespan
5 Aviculture
5.1 Diet
5.2 Pellets
5.3 Vocalisation
5.4 Breeding
5.5 Colour mutations
6 Gallery
7 Footnotes
8 References
9 External links
//
Taxonomy
The Cockatiel was originally described by Scottish writer and naturalist Robert Kerr in 1792 as Psittacus hollandicus, before being placed in its own genus Nymphicus by Wagler in 1832. Placed in its own genus, the Cockatiel's scientific name Nymphicus hollandicus reflects the experience of one of the earliest groups of Europeans to see Cockatiels in their native habitat. Travelers thought they were so beautiful that they named them after mythical nymphs. (Nymphicus literally means "little nymph.") The species name refers to New Holland, an old name for Australia.
Its biological relationship had long been disputed; it is now classified into a monotypic subfamily Nymphicinae but had sometimes in the past been misclassified among the Platycercinae, the broad-tailed Parakeets. This issue has now been settled with molecular studies. Mitochondrial 12S rRNA sequence data places it amongst the Calyptorhynchinae (Dark Cockatoos) subfamily. The unique, Parakeet (meaning LONG-tailed Parrot) morphological feature is a consequence of the decrease in size and accompanying change of ecological niche.
Sequence analysis of intron 7 of the nuclear ?-fibrinogen gene, on the other hand, indicates that it may yet be distinct enough as to warrant recognition of the Nymphicinae rather than inclusion of the genus in the Calyptorhynchinae.
The Cockatiel is now biologically classified as a genuine member of Cacatuidae on account of sharing all of the Cockatoo family's biological features. Namely; the erectile crest, a gallbladder, powder down, suppressed cloudy-layer (enabling Lories, Lorikeets (long-tailed Lories), Parakeets and typical Parrot species display of structural colours such as aquas, blues, greens, purples and turquoises), and facial feathers covering the sides of the beak, all of which are rarely found outside the Cacatuidae family.
Portrayal

1927 Brehms Tierleben painting
The Cockatiel's distinctive erectile crest expresses the animal's state of being. The crest is dramatically vertical when the cockatiel is startled or excited, gently oblique in its neutral or relaxed state, and flattened close to the head when the animal is angry or defensive. The crest is also held flat but protrudes outward in the back when the cockatiel is trying to appear alluring or flirtatious. In contrast to most Cockatoos, the Cockatiel has long tail feathers roughly making up half of its total length. At 300mm to 330mm (12 to 13 ins), the Cockatiel is the smallest and only parakeet type of Cockatoo species. The latter ranging between 300mm to 600mm (12-24 in) in length.
The "Normal Grey," or "Wild-type" cockatiel's plumage is primarily grey with prominent white flashes on the outer edges of each wing. The face of the male is yellow or white, while the face of the female is primarily grey or light grey, and both sexes feature a round orange area on both ear areas, often referred to as "cheek patches." This orange colouration is generally vibrant in adult males, and often quite muted in females. Visual sexing is often possible with this variant of the bird.
Distribution and habitat
Cockatiels are native only to Australia...(and so on)

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The X's
Clockwise from top left: Mrs. X, Mr. X, Truman X, and Tuesday X.
Format
Animated Comedy
Created by
Carlos Ramos
Starring
Patrick WarburtonWendie MalickLynsey BartilsonJansen PanettiereChris HardwickTom KaneStephen Root
No. of seasons
1
No. of episodes
20 (List of episodes)
Production
Running time
24 minutes approx.
Broadcast
Original channel
Nickelodeon(2005-2006)Nicktoons Network(2007-present)
Original run
November 25, 2005 development
Chronology
Related shows
The Secret ShowThe Incredibles
The X's was an American animated television series created by Carlos Ramos about a family of spies, who must hide their identity from the outside world, but sometimes have a little trouble in doing so.
It premiered on Nickelodeon on November 25, 2005 and is rated TV-Y7-FV. The season finale aired on November 25, 2006. No announcement has been made on the future of the show by Nickelodeon. The show is currently off the air and is assumed to be canceled. Nickelodeon has also removed the The X's Nick website, video section, and related items on Nick.com. On January 1, 2008 the crew and directors finally ceased production of the show. It still airs in Europe and Asia. The X's has resumed airing on Nicktoons Network.
'==Synopsis== The Xs work for SUPERIOR. The Xs have a young boy named Truman, a teenage girl named Tuesday, and many gadgets at their disposal.
An organization called S.N.A.F.U. (Society of Nefarious and Felonious Undertakings), is continually trying to cause trouble for the Xs in their plans to take over the world.
Contents
1 Characters
1.1 Protagonists
1.2 Antagonists
2 See also
3 External links
//
Characters
Protagonists
Mr. X: Family patriarch and team leader, Mr. X is the typical sixties superspy, complete with a stylish black suit and extensive knowledge of hand to hand combat. Although he is a competent spy, he struggles with many everyday issues, such as remembering his name. He is also an excellent cook. He is the combination of Stan Smith from American Dad!. In one episode, like Maxwell Smart, he had a "shoe phone" in which (like Mission: Impossible) it blew up after delivering a message. Patrick Warburton voices Mr. X.
Mrs. X: Second in command, Mrs. X is fully trained in hand-to-hand combat and martial arts, but she is a repulsive cook. She often performs simple tasks with extreme measures (she used a death-ray device to kill a cockroach, destroying most of the kitchen and her daughter's room in the process). Despite a high capacity for violence and mayhem, Mrs. X is a devoted wife and mother, and will go out of her way to protect her family. She is an expert at tennis. She is known for administering savage beatings to Glowface (sometimes twice). Wendie Malick voices Mrs. X.
Tuesday X: The Xs' teenage daughter and missions investigator. She is 16 years old. Tuesday is the most normal of the team, despite her rather extreme punk-rock garb and frequently changing hair-color. She is also the most knowledgeable of "real-world" behavior, which the other family members either misunderstand or ignore outright. She definitely takes after her mother in savagery and fighting skills, but at heart Tuesday is a genuine teenager who wants to do other things besides spy missions with her family. She easily gets annoyed with Truman and despite that, she behaves like a caring sister like in the episode "You only sneeze twice" when Truman's look-alike robot was about to explode, she became worried and in another episode "From crusha with love" she guided Truman with his date by advising him. She also likes Brandon, an agent from S.N.A.F.U. Lynsey Bartilson voices Tuesday X.
Truman X: The Xs' 9-year-old son and technology expert. Truman, is a combination of Bart Simpson from The Simpsons and Dexter from Dexter's Laboratory. Truman is the smartest of all the Xs. His radiation "experiments" cause so many "meltdowns" that the local decontamination Squad are on a first name basis with the "X"s! Jansen Panettiere voices Truman X. Sometimes he can be a nuisance and make trouble.
Rex X: Truman's dog he got on his 9th birthday from Sasquatch. Rex was meant to kill Truman with Sasquatch controlling Rex with his mind control roar, but after Truman wouldn't fight him because he thought he would finally have the perfect birthday with him and Truman told about all the good times they had. After those words Rex broke free from the mind control and also all the other animals. Later, Rex became an honorary member for SUPERIOR. His first appearance was in "Boy's Best Fiend," and has since appeared in other episodes such as To Err Is Truman. Vocal effects are done by Dee Bradley Baker.
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The second (SI symbol: s), sometimes abbreviated sec., is the name of a unit of time, and is the International System of Units (SI) base unit of time. It may be measured using a clock.
SI prefixes are frequently combined with the word second to denote subdivisions of the second, e.g., the millisecond (one thousandth of a second), the microsecond (one millionth of a second), and the nanosecond (one billionth of a second). Though SI prefixes may also be used to form multiples of the second (such as ilosecond, or one thousand seconds), such units are rarely used in practice. More commonly encountered, non-SI units of time such as the minute, hour, and day increase by multiples of 60 and 24 (rather than by powers of ten as in SI).
The second was also the base unit of time in the centimetre-gram-second, metre-kilogram-second, metre-tonne-second, and foot-pound-second systems of units.
Contents
1 International second
2 Equivalence to other units of time
3 History
3.1 Before mechanical clocks
3.2 Seconds measured by mechanical clocks
3.3 Modern measurements
4 SI multiples
5 See also
6 References
7 External links
//
International second
Under the International System of Units, the second is currently defined as
The second is the duration of 9 192 631 770 periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of the cesium 133 atom.
This definition refers to a cesium atom at rest at a temperature of 0 K (absolute zero), and with appropriate corrections for gravitational time dilation. The ground state is defined at zero magnetic field. The second thus defined is consistent with the ephemeris second, which was based on astronomical measurements. (See History below.)
The international standard symbol for a second is s (see ISO 31-1)
The realization of the standard second is described briefly in NIST Special Publication 330; Appendix 2, pp. 53 ff, and in detail by National Research Council of Canada.
In practice, the transition is measured in the quantum vacuum where vacuum fluctuations can lead to shifts in atomic energy levels in vacuum relative to their values in free space, for example, to a Lamb shift. Consequently, the transition in quantum vacuum may not have the same frequency as in free space. Free space (which, like absolute zero, is a theoretical reference state that cannot be attained in practice, with exact values for its electromagnetic properties: c0, ?0, ?0, and Z0) is the reference state for the SI units for the metre and ampere.
Equivalence to other units of time
1 international second is equal to:
1/60 minute (but see also leap second)
1/3,600 hour
1/86,400 day (IAU system of units)
1/31,557,600 Julian year (IAU system of units)
History
Before mechanical clocks
The Egyptians subdivided daytime and nighttime into twelve hours each since at least 2000 BC, hence their hours varied seasonally. The Hellenistic astronomers Hipparchus (c. 150 BC) and Ptolemy (c. AD 150) subdivided the day sexagesimally and also used a mean hour (1?24 day), but did not use distinctly named smaller units of time. Instead they used simple fractions of an hour.
The day was subdivided sexagesimally, that is by 1?60, by 1?60 of that, by 1?60 of that, etc., to at least six places after the sexagesimal point (a precision of less than 2 microseconds) by the Babylonians after 300 BC, but they did not sexagesimally subdivide smaller units of time. For example, six fractional sexagesimal places of a day was used in their specification of the length of the year, although they were unable to measure such a small fraction of a day in real time. As another example, they specified that the mean synodic month was 29;31,50,8,20 days (four fractional sexagesimal positions), which was repeated by Hipparchus and Ptolemy sexagesimally, and is currently the mean synodic month of the Hebrew calendar, though restated as 29 days 12 hours 793 halakim (where 1 hour = 1080 halakim). The Babylonians did not use the hour, but did use a double-hour lasting 120 modern minutes, a time-degree lasting four modern minutes, and a barleycorn lasting 3? modern seconds (the helek of the modern Hebrew calendar).
In 1000, the Persian scholar al-Biruni gave the times of the new moons of specific weeks as a number of days, hours, minutes, seconds, thirds, and fourths after noon Sunday. In 1267, the medieval scientist Roger Bacon stated the times of full moons as a number of hours, minutes, seconds, thirds, and fourths (horae, minuta, secunda, tertia, and quarta) after noon on specified calendar dates. Although a third for 1?60 of a second remains in some languages, for example Polish (tercja) and Arabic (?????), the modern second is subdivided decimally.
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Look up photo-realism inWiktionary, the free dictionary.
Photorealism is the genre of painting based on making a painting of a photograph. The term is primarily applied to paintings from the United States photorealism art movement that began in the late 1960s, early 1970s. More recently, a splinter art movement called hyperrealism has developed.
Contents
1 Style and history
2 Artists
3 At the Millennium
4 List of Photorealists
4.1 Original photorealists
4.2 Photorealists
5 References
5.1 Notes
5.2 General References
6 External links
//
Style and history
As a full-fledged art movement, Photorealism evolved from Pop Art and as a counter to Abstract Expressionism as well as Minimalist art movements in the late 1960s and early 1970s in the United States. It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism, or Hyper-Realism. The Photorealist genre is predominately made up of painters. The word Photorealism was coined by Louis K. Meisel in 1968 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists."
Louis K. Meisel, two years later, developed a five-point definition at the request of Stuart M. Speiser, who had commissioned a large collection of works by the Photorealists, which later developed into a traveling show known as "Photo-Realism 1973: The Stuart M. Speiser Collection," which was donated to the Smithsonian in 1978 and is shown in several of its museums as well as traveling under the auspices of SITE. The definition was as follows:
1. The Photo-Realist uses the camera and photograph to gather information.2. The Photo-Realist uses a mechanical or semimechanical means to transfer the information to the canvas.3. The Photo-Realist must have the technical ability to make the finished work appear photographic.4. The artist must have exhibited work as a Photo-Realist by 1972 to be considered one of the central Photo-Realists.5. The artist must have devoted at least five years to the development and exhibition of Photo-Realist work.
Photorealist painting cannot exist without the photograph. In Photorealism, change and movement must be frozen in time which must then be accurately represented by the artist. Photorealists gather their imagery and information with the camera and photograph. Once the photograph is developed (usually onto a photographic slide) the artist will systematically transfer the image from the photographic slide onto canvases. This is done by either projecting the slide or grid techniques. The resulting images are often direct copies of the original photograph but are usually larger than the original photograph or slide. This results in the photorealist style being tight and precise, often with an emphasis on imagery that requires a high level of technical prowess and virtuosity to simulate, such as reflections in specular surfaces and the geometric rigor of man-made environs.
20th century photorealism can be contrasted with the similarly literal style found in trompe l'oeil paintings of the 19th century. However, trompe l'oeil paintings tended to be carefully designed, very shallow-space still-lifes, employing illusionistic devices such as the use of shadows to cause small objects to appear to exist above the surface of the painting. (Trompe l'oeil literally means "fool the eye.") The photorealism movement moved beyond this illusionism to tackle deeper spatial representations (e.g. urban landscapes) and took on much more varied and dynamic subject matter.
Artists

Ralph's Diner (1982), Oil on canvas. Example of Photorealist Ralph Goings work.
The first generation of American photorealists includes such painters as Richard Estes, Ralph Goings, Howard Kanovitz, Chuck Close, Charles Bell, Audrey Flack, Don Eddy, Robert Bechtle, Tom Blackwell, and Richard McLean. Duane Hanson and John DeAndrea were the sculptors associated with photorealism famous for amazingly life-like painted sculptures of average people that were complete with simulated hair and real clothes. They were called Verists. Often working independently of each other and with widely different starting points, photorealists routinely tackled mundane or familiar subjects in traditional art genres--landscapes (mostly urban rather than naturalistic), portraits, and still lifes. They essentially evolved from Pop art and carried Pop Art's return to imagery to its ultimate possibilities.
At the Millennium

Dream of Love (2006), Oil on canvas. Example of Photorealist Glennray Tutor's work.
The height of the original photorealism movement was in the mid-1970s but the early 1990s saw a re-birth of interest in the genre. This renewed interest included original artists from the "first generation" as well as many younger photorealists. The evolution of photorealism brought...(and so on)

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Ricky Ponting
Personal information
Full name
Ricky Thomas Ponting
Born
19 December 1974 (1974-12-19) (age34)Launceston, Tasmania, Australia
Nickname
Punter
Height
1.78m (5ft10in)
Batting style
Right-hand
Bowling style
Right-arm medium
Role
Batsman, Captain
International information
National side
Australia
Test debut (cap 366)
8 December 1995vSri Lanka
Last Test
19 March 2009vSouth Africa
ODI debut (cap 123)
15 February 1995vSouth Africa
Last ODI
3 April 2009vSouth Africa
ODI shirt no.
14
Domestic team information
Years
Team
1993 present
Tasmania
2004
Somerset
2008 present
Kolkata Knight Riders
Career statistics
Competition
Test
ODIs
FC
List A
Matches
131
311
230
382
Runs scored
10,960
11,402
19,791
13,741
Batting average
56.20
42.70
58.72
42.28
100s/50s
37/46
26/66
71/84
30/81
Top score
257
164
257
164
Balls bowled
539
150
1,434
349
Wickets
5
3
14
8
Bowling average
48.40
34.66
54.85
33.62
5 wickets in innings
0
0
0
0
10 wickets in match
0
n/a
0
n/a
Best bowling
1/0
1/12
2/10
3/34
Catches/stumpings
148/
137/
236/
169/
Source: CricketArchive, 4 April 2009
Ricky Thomas Ponting (born 19 December 1974) is a professional cricketer who is the current captain of the Australian cricket team in One Day International, Twenty20 International and Test cricket. Ponting also represents the Tasmanian Tigers in Australian Domestic cricket, a side he plays for intermittently due to international commitments. He is a specialist right-handed batsman, slips and close catching fielder, as well as a very occasional right-arm medium pace bowler.
Ponting reached international standards at a young age for a batsman, making his One Day International and Test debuts in 1995 at the age of 20. However, his progress was not unhindered. He lost his place in the team several times due to lack of form and discipline issues, before rising to the One Day International captaincy in early 2002 and becoming Test captain in early 2004. In recent years, he has been consistently ranked in the top-ten batsmen in both One Day International cricket and Test matches in the official ICC ratings, and has been ranked number one for substantial periods.
Contents
1 Key achievements
2 Career summary
2.1 Early years
2.2 International career begins
2.3 Test career consolidates
2.4 ODI captaincy
2.5 Test captaincy
2.5.1 2005 Ashes
2.5.2 200607 Ashes
2.6 2007 to present
3 Achievements
3.1 Awards
3.2 Test Match Performances
3.3 Captaincy records
3.4 One Day International records
4 Career highlights
5 Controversies
6 Endorsements
7 Individual honours
8 Personal life
9 Books
9.1 Authored or co-authored
10 References
11 External links
//
Key achievements
Ricky Ponting is considered one of the finest batsmen in the history of the game, and is currently ranked 5th in ODI's and 8th in Test Cricket. He is the only cricketer to have twice scored more than 1500 runs in Test matches in a calendar year (2003 and 2005) and on 3 December 2006 overtook Steve Waugh as the leading Australian century maker with 33 Test centuries. He now has 37 and lies second in highest number of Test centuries in the history of cricket, five behind world leader Sachin Tendulkar. He is also the third fastest batsmen ever to reach 10,000 runs in Test matches. He has scored over 10,000 Test runs at an average near 57, but since the February 2002 tour of South Africa (when he was elevated to the ODI team captaincy) he has scored 25 of his Test centuries and averaged above 74, leading to comparisons with Sir Donald Bradman.
Ponting is also Australia's leading ODI run-scorer and century maker. His century against the West Indies in Jaipur at the 1996 Cricket World Cup made him the youngest ever World Cup centurion, and his unbeaten 140 against India in the 2003 Cricket World Cup final was the highest by a captain in a World Cup final. In 2007 Cricket World Cup match against South Africa at St Kitts, Ponting became the first Australian to reach 10,000 runs in ODI Cricket and the 7th in world cricket to achieve this distinction. He recently reached 10,000 Test runs against the West Indies in June 2008 and crossed 11,000 ODI runs in the Commonwealth Bank series in...(and so on)

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Musick Guard Station
U.S. National Register of Historic Places
Location:
Umpqua National Forest
Nearest city:
Cottage Grove, Oregon
Coordinates:
4334?51?N 12238?23?W? / ?43.58083 122.63972? / 43.58083; -122.63972Coordinates: 4334?51?N 12238?23?W? / ?43.58083 122.63972? / 43.58083; -122.63972
Built/Founded:
1934
Architectural style(s):
Rustic forest cabin
Governing body:
U.S. Forest Service
Added to NRHP:
1991
NRHPReference#:
91000170
The Musick Guard Station is a rustic cabin located in the Umpqua National Forest in western Oregon, United States. It was originally built to house fire crews assigned to patrol the surrounding National Forest. In the 1990, the United States Forest Service began renting Musick Guard Station to recreational visitors. The Musick Guard Station is listed on the National Register of Historic Places.
Contents
1 History
2 Structure
3 Recreation
4 Access
5 References
6 External links
//
History
In the 1920s and 1930s, Forest Service employees often traveled many miles from local ranger stations to forest work sites. Since the forest road networks were not well developed, getting to a job site meant a long trek, carrying all the equipment need to perform the field work. This made it impractical for employees to make daily round-trips. To facilitate work at remote sites, the Forest Service built guard stations at strategic locations throughout the forest to house fire patrols and project crews.
After World War II, the Forest Service greatly expanded its road network, allowing employees to get to most National Forest areas within a few hours. As a result, guard stations lost their utility. The Forest Service found new uses for some stations, but most were demolished or abandon. In the 1990s, historic preservation groups with the support of Forest Service employees began pressing National Forest managers to preserve the remaining structures. To finance the preservation effort the Forest Service started renting its guard stations to the public.
The Musick Guard Station was built by the Civilian Conservation Corps in 1934. It is located in the Umpqua National Forest approximately 38miles (61km) east of Cottage Grove, Oregon, in the heart of the old Bohemia Mining district. The area is named after James "Bohemia" Johnson, the prospector who discovered gold there in 1863. The guard station was named after the nearby Musick Mine, a large gold mining operation in the late 1800s and early 1900s.
It was originally used as a home station for fire crews that patrolled the forests around the Bohemia Mining area. The cabin was used as a summer barracks for Forest Service fire patrols and trail crews until the 1960 when it was abandoned. In the early 1990s, the Forest Service started renting cabins including Musick Guard Station to the public for recreational purposes. Because of its rustic architecture and the cabin unique historic value as an early Forest Service guard station, it was listed on the National Register of Historic Places in 1991.
Structure
The Musick Guard Station is located on a narrow forested ridge between Fairview Peak and Grouse Mountain, at about 5,000feet (1,500m) elevation. It is surrounded by rugged 6,000-foot (1,800m) mountains with steep slopes covered with Douglas fir, spruce, and western hemlock. The Musick Guard Station is a rustic two-story cabin. It has a wood-frame structure and a concrete foundation. The exterior is covered with weatherboard and shingles. It is stained dark brown so it blends into the surrounding forest landscape.
On the first floor, the cabin has three rooms. There is a central living room, a kitchen, and a small bedroom. The upstairs is a bunkroom that provides additional sleeping quarters. The cabin has two wooden platform beds and four bunk bed sets; however, there are no mattresses. The cabin is also furnished with table and chairs. In the living room, there is a wood-burning stove for heat. In the kitchen, there is a wood-burning cook stove. The cabin does not have electricity or water.

Living room stove
Kitchen work area
Downstairs Bedroom
Outdoor cook grill
There is a vault-type outhouse located near the cabin. A horse barn, a small shed, an outdoor fire place with a cooking grill, and a picnic table are also located on the guard station grounds. There is room for tent camping at the site as well.
Recreation
In the summer, visitor can hike near-by trails. The Bohemia Mountain Trail is a particularly popular. The trailhead is a little over a mile from the guard station. From there, it is a 3/4 mile hike to the summit of Bohemia Mountain which is highest point on the Cottage Grove Ranger District. However, it is not an easy hike with grades averaging 15-20 percent most of...(and so on)

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Collapsible Tank
Collapsible tanks are used for storage of fuel, water, or chemicals and are manufactured using industrial fabrics.
These tanks are manufactured in a variety of sizes and styles, with various fabrics available depending on the liquid being contained. They are assembled using fabric welding techniques such as hot air, hot bar, and radio-frequency (RF) welding.
In contrast to steel tanks, collapsible fabric tanks can be relatively easily and quickly transported, unfolded, and deployed features that make them a logical choice for applications in remote sites (such as mining exploration camps) and temporary installations (such as military operations).
Collapsible tanks have been used successfully in the arctic, where challenges such as climate, location, and logistics costs make other tank types impractical.
A number of manufacturers produce collapsible fabric tanks for general-purpose use. One company, SEI Industries Ltd. of Delta, Canada markets a trio of collapsible fuel tanks specifically for use in extreme climates such as the desert, the arctic, and the jungle.
External links
King Series collapsible tanks by SEI Industries Ltd.
Categories: Containers
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